Hence, this film was a must-see for me whatever whoever says.
The downside with dance on film is the failure of the screen to convey depth, and I didn't find the 3D effects particularly impressing here, I must admit.
L'info Switch : Marine Lorphelin valide (finalement) sa 4ème année de médecine !
The producer is nowhere to be found and director Friedrich...See full summary » In modern dance since the 1970s, few choreographers have had more influence in the medium than the late Pina Bausch.Sur Instagram, la chanteuse a partagé sa rencontre, et concrètement, on a du mal à savoir qui vole la vedette à qui.En légende, Selena Gomez écrit d'ailleurs "J'ai finalement eu l'occasion de rencontrer ce petit coeur - Elle l'a totalement".After the wild life-style of a famous young German photographer almost gets him killed, he goes to Palermo, Sicily to take a break.
Can the beautiful city and a beautiful local woman help him calm himself down?Both outdoors in the open landscape and modern cityscape, as well as indoors on a stage.It expresses diversity and unity at the same time, gives life to poetry and most remarkably, making music visible in a way that I have not seen in a film before.But then again, without it, I am sure it would be hard not to get dull watching 100 minutes of flat images, sometimes randomly and unexpectedly cut of the context. Not very much of replicas either to explain in clear words why or if the different pieces are linked together, and definitely nothing to tell about Pina Bausch's private life.But that is also what makes this film so clean and consistent; dance says it all.He claims he had no interest in dance whatsoever and was dragged to the production by his then companion, Solveig Dommartin.